Across the Black Soil Plains
Across the Black Soil Plains | |
---|---|
![]() | |
Artist | George Washington Lambert |
Year | 1899 |
Medium | oil on canvas |
Dimensions | 91.6 cm × 305.5 cm (36.1 in × 120.3 in) |
Location | Art Gallery of New South Wales, Sydney |
Website | http://www.artgallery.nsw.gov.au/collection/works/550/ |
Across the Black Soil Plains is a 1899 painting by Australian artist George Washington Lambert. The landscape depicts a team of draft horses pulling a wagon heavily laden with wool bales. Lambert's painting was awarded the Wynne Prize in 1899.[1]
The painting had its inspiration in Lambert's experiences in droving sheep, seeing "horse teams hauling heavily laden wool wagons across the bare, miry, flat lands of Snakes Plain from Warren to the railway station at Nevertire.".[1]
As a boy in the bush I did much work with draft [sic] horses ... [One] called Barney had such fine action and such imposing carriage ... and possibly what knowledge I displayed in connection with horses in ‘Black Soil Plains’ originated with my association with this exceptionally fine animal
— George Washington Lambert, [1]
Lambert composed the painting in a shed at its mother's house in Hornsby, a suburb of Sydney. When working on the painting, Lambert placed the long and narrow canvas diagonally in the shed. Several names have been suggested as the model for the teamster, including Jim Smith from the Warren district, Luke Rollins from Moree or Henry Sharkey, who carted a record load of wool from Louth to Bourke.[1]
The painting was a critical success with the Sydney Morning Herald stating "‘In this long narrow canvas the young artist paints with astonishing vigour and sense of movement ... in every conceivable attitude the horses tug and strain at the heavy load."[1]
The painting was also subject of a poem of the same name as journalist Gordon Tidy (c. 1862–1953) under his pen name 'Mousquetaire' in The Bulletin, 30 October 1902.[2] His words have been compared to Will H. Ogilvie's 'How the Fire Queen crossed the swamp'.[3]
The painting was acquired by the Art Gallery of New South Wales at the New South Wales Society of Artists exhibition in 1899 and remains part of its collection.[1][4]
References
- ^ a b c d e f "Across the black soil plains 1899". George W Lambert Retrospective. National Gallery of Australia. Archived from the original on 29 March 2016. Retrieved 28 September 2014.
- ^ "Untitled". Sydney Mail. New South Wales, Australia. 9 September 1931. p. 6. Retrieved 15 February 2020 – via Trove.
- ^ "Transport". The Herald (Melbourne). Victoria, Australia. 10 May 1934. p. 6. Retrieved 15 February 2020 – via Trove.
- ^ "Across the black soil plains". Collection. Art Gallery of New South Wales. Retrieved 28 September 2014.
External links
- Across the Black Soil Plains - Art Gallery of New South Wales collection.
- v
- t
- e
- Across the Black Soil Plains (1899)
- The Sonnet (1907)
- Chesham Street (1910)
- Pan Is Dead (Still Life) (1911)
- Anzacs Bathing (1916)
- The convex mirror (c 1916)
- A Sergeant of the Light Horse (1920)
- Weighing the Fleece (1921)
- The White Glove (1921)
- Anzac, the Landing 1915 (1922)
- Self-portrait with gladioli (1922)
- The Squatter's Daughter (1924)
- Mrs Annie Murdoch (1927)
- Maurice Lambert (son)
- Constant Lambert (son)
- Kit Lambert (grandson)
This article about Australian culture is a stub. You can help Wikipedia by expanding it. |
- v
- t
- e
![]() | This article about a nineteenth-century painting is a stub. You can help Wikipedia by expanding it. |
- v
- t
- e